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Pretty

by Zach Benson

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1.
u + i tonite 03:26
ride, you’re a ride my mind electrified as i slide, slip inside you talk me through the night, through the night convince my body that you’ll never use those eyes on other boys convince my body, and you’ll never have to lie, yeah make your choice come with me hide no more they don’t know say it slow they don’t know you know they’ll never know so pull me close and tight outside the city light it’s you and i tonight it’s you and i tonight so pull me close and tight outside the city light it’s you and i tonight it’s you and i stay, oh please stay i won’t turn you away run away, to a place they’ll let us show our face, show our face so touch my body, oh yeah never turn those eyes away from mine oh touch my body, baby take me to the places that you hide so pull me close and tight outside the city light it’s you and i tonight it’s you and i tonight so pull me close and tight outside the city light it’s you and i tonight it’s you and i come with me hide no more they don’t know say it slow they don’t know and if you’re awake tonight stay with me hide no more they can know don’t be slow they can know yeah you can let em know so pull me close and tight outside the city light it’s you and i tonight it’s you and i so pull me close and tight outside the city light it’s you and i tonight it’s you and i tonight so pull me close and tight outside the city light it’s you and i tonight it’s you and i
2.
is it too dark out to see a body right in front of me is anyone around you lead my body to the backseat i’ll give up my right to privacy i’ll show you all you, buried in the moonlit sky you, never even have to try you, kissing as the cars pass by and we’ll be singing out take me from myself don’t speak, show me who you wanna be when you lay me down i’m weak, i’ll show you what you want to see the only souls around are me and you, buried in the moonlit sky you, never even have to try you, kissing as the cars pass by and we’ll be singing out you, only one that’s on my mind you, swaying to the left and right you, kissing as the cars pass by and we’ll be singing out i’ll give up my right to privacy i’ll show you all and we’ll be singing out you, buried in the moonlit sky you, never even have to try you, kissing as the cars pass by and we’ll be singing out you, only one that’s on my mind you, swaying to the left and right you, kissing as the cars pass by and we’ll be singing out
3.
Hydroplane 03:29
february sky, dark and damp in the day on the driver’s side, you’re an arms length away you’ve been quiet as hell. i just fake a smile, and then it disappears when you said you’ve been different since christmas this year you thought i could tell i am scattered inside, now so are my hands as i overcorrect and send us towards the sands i thought i could do well the wheels on top, crash right into a rut you’re cut through the head and i’m just socked in the gut am i allowed to yell and scream and be heard over ambulance horns would they push me aside and say you were hurt first i’m a stab, you’re a shot, i’m a little, you’re a lot can i scream and be heard where are the words where are the words we recover slow, days are harder to do there are better times, but they’re becoming few and you know i can tell you can fake a smile, but it’s easy to guess you feel like a vessel, you’re miserable at best oh, you’re allowed to yell and scream and be heard over ambulance horns when they push you aside and say you were hurt first i’m a stab, you’re a shot, i’m a little, you’re a lot can he scream and be heard where are the words where are the words and no one else will listen no one else will understand like you no one else will tell the truth i don’t want you to pretend i just want you to listen, please do i promise i will listen, me too cause i don’t want to have to scream and be heard over ambulance horns when they push us aside and say you were hurt first i’m a stab, you’re a shot, i’m a little, you’re a lot can we scream and be heard where are the words where are the words

about

three pop songs about relationships.

credits

released May 5, 2017

all performances, production, and recording by Zach Benson
production assistance by Alex Jongbloed

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all rights reserved

tags

about

Zach Benson New York, New York

hopeless, romantic.

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